Of The Best Experimental Short Films You Can Watch Online « Taste of Cinema. During the 1. 92. This opened the doors for even more radical types of movies, one that would even question the basic narrative structure all films were following at the time. This was known as experimental or avant- garde cinema. Cinema brings a Superior Experience in movies to Grand Rapids, Lansing, Muskegon, Kalamazoo, Benton Harbor and Mt.They were usually short films produced outside of Hollywood to challenge the cinematic conventions of the film industry. Most directors were forced to use their own money in order to make these films. They were usually shown in the same theaters designed for art house cinema, until their reputation grew enough for theaters specialized in experimental filmmaking. Another factor that motivated the rise of these kinds of movies were the artistic trends of the early twentieth century. Painters and writers were already questioning the norms of their fields and created modernist styles such as Cubism, abstract art, Futurism, Dadaism and Surrealism. Many of these artists influenced young filmmakers who were trying to step away from commercial cinema. This list highlights some of the most prominent sub genres from experimental films. The earliest of them was part of the Dada movement which began as a result of the sense of meaningless of life perceived after the consequences of World War I. Find Magic Valley Cinema 13 showtimes and theater information at Fandango. Buy tickets, get box office information, driving directions and more. There are experimental narratives as well, which reworked the narrative structure of movies and surrealistic movies, inspired by psychoanalysis and the unconscious mind. Other filmmakers experimented with the scenery of cities by filming them poetically, these were known as lyrical documentaries of city symphony. With the arrival of sound, even more styles were developed. Live TV stream of Canal 24h broadcasting from Spain. Channel description of Canal 24h: News TV channel. Movies to watch this week at the cinema: X-Men: Apocalypse, A Hologram for the King, more. Everyone loves movies! Grand Cinema Gift Cards make great gifts all year long! Cinema Gift Cards can also be used as rewards cards to earn free movies and concessions. Watch The Boss Online. Watch The Boss 139 minutes having a swollen spending budget of $250 million, “watch The Boss full movie online free ” is natural costly. Welcome to Broadway Cinema - Letchworth Garden City's four screen independent cinema. Can I hire Hot Tub Cinema for my private event (i.e. Due to the significant costs involved with putting on a large-scale production. ARRIVAL is a provocative science fiction thriller from acclaimed director Denis Villeneuve (SICARIO, PRISONERS). When mysterious spacecraft touch down across the. Animation became a suitable alternative because of its capability of economic productions, considering the high costs of filming pictures with sound. This meant that abstract films would still remain popular since they were based on animated nonobjective pictorial styles. After World War II other innovative trends were created. The rise of documentaries and newsreels inspired the experimental compilation film, in which footage from different sources or a movie would be cut into a specific style to build up emotions or convey a metaphorical meaning. The lyrical film would also focus on emotions but with little association to narrative. The rise of these styles led to another name for experimental films: underground movies, although the audience associated this term with controversial avant- garde movies. Contemporary experimental films are reminiscent of past sub genres. The deconstructive film is directly related to the 7. Structuralist cinema and compilation film. This time instead of editing over numerous sources the main focus was mainstream films and its artificiality. The most recent film of the list was considered to be part of pluralism, which in essence, is not even considered an official movement. After structuralist cinema’s domination, most budgets were reduced because of costly filmmaking styles. Other theaters were refusing to display experimental films unless controversial themes would be censured. Therefore, filmmakers parted their own ways to create numerous individual styles which did not belong to any specific movement, but were all categorized as pluralist cinema. The Seashell and the Clergyman (1. Germaine Dulac. Dulac abandoned commercial filmmaking and impressionistic cinema to direct a Surrealist film. The screenplay, written by poet Antonin Artaud, combines impressionistic cinematography and a disjointed narrative logic from Surrealism. In the movie a clergyman carrying a large seashell smashes laboratory beakers, an officer intervenes and breaks the shell. The clergyman witnesses this act with horror. The rest of the film includes the priests pursuit of a beautiful woman through an incoherent series of settings. The officer prevents this love by intruding along the different scenarios. The film’s screening caused an uproar because of Dulac’s softening of surrealistic techniques. Artaud also had several disagreements with Dulac, he wanted to control the directorial aspect of the film but Dulac rearranged the shooting schedule at the same time Artaud was acting for the Passion of Joan of Arc. Additionally, since it was the first surrealist film screened, the critics did not appreciate the meaningless of its images, and was soon overshadowed by Un Chien Andalou. These factors have proved to be obstacles for the film’s recognition. The Life and Death of 9. Hollywood Extra (aka Life and Death of a Hollywood Extra) (1. Robert Florey and Slavko Vorkapi. It combined close ups of actors against black backgrounds with stylized miniature scenes made of paper cut outs and shot with an ordinary light on a kitchen table. The movie satirizes the Hollywood casting process and its mistreatment towards potential talent. The protagonist is a man who dreams of becoming a star, but is dehumanized by being labeled with a number. Towards the end he dies and goes to heaven, where he is rewarded with the removal of his number. The cinematographer of the movie was Gregg Toland, whose work was appreciated enough to be offered jobs for many major films such as Citizen Kane. With a crew as talented, Hollywood Extra was given enough support from the likes of actors such as Charlie Chaplin to be exhibited commercially. Scorpio Rising (1. Kenneth Anger. Kenneth Anger’s underground cinematic classic was an anticipation of the structure music videos would have in the future. The director created a fusion of motorcycle culture, homoeroticism, diabolism, death, and mass media. Aggressive montages of staged scenes, documentary shots, comic strips, movies and mystical traditions were divided in episodes by rock and roll songs. The film was a portrait of American masculinity. It presented the motorcycle culture of the 1. However, Anger’s approach was not documentary, it proved to be experimental because he was inspired by a reality decorated with his own vision. He compares his work with a Cezanne painting of landscapes, vistas drawn with his own perspective. The film stars Bruce Byron as Scorpio and includes music by Ricky Nelson, The Angels, The Crystals, Bobby Vinton, Elvis Presley and Ray Charles. All of the films songs were actually licensed for the film, and even if most of the budget went to buy the rights, Scorpio Rising has remained one of the most famous underground films and one of Kenneth Anger’s best work. The Nose (1. 96. 3) by Claire Parker and Alexandre Alexeieff. A pinboard film adaptation of a story by Russian author Nikolay Gogol. For this type of animation, thousands of pins were placed on a board and moved and photographed under different lighting situations. As a result both directors created fantastic transitions and movements within the characters. A notable animation was the nose itself, particularly when it falls from the man’s nose while he looks in the mirror. This man is the protagonist of the story. He lost his nose, and suspects it ran away from his face. He decides to follow it, provoking an uncertainty with what is real or a dream. Another man suggests he found the nose, yet the thin line between fantasy and reality had already been breached, and even the protagonist is uncertain of his lost nose. The pinscreen technique showcases this world fantastically, as the movement between backgrounds is very smooth. A Movie (1. 95. 8) by Bruce Conner. American Sculptor Bruce Conner brought the compilation film to notice with this short film. Thrilling scenes of Westerns and jungles are intercut with newsreel shots of daredevil stunts and disasters with intertitles of the film’s tittle in between. This work of found art received international recognition and exhibition in museums. He evoked a sense of past tense with a retrospective of vintage clips, which included dirt tainted film with stunts and pin up girls. This movie paved way for deconstructive films because of its fixation with destructive images (the explosion) and his free association techniques with editing. The movie represents the tragic foolishness of the human condition. It demonstrates famous images from the recent past which were often used as mass propaganda. These big ideas of commercial (pin ups), war, excitement, and mainstream movie tittles are all recollected in one short film. Outer Space (1. 99. Peter Tscherkassky. Austrian Structuralist filmmaker Peter Tscherkassky’s fascination with Hollywood opulence enabled him to create a deconstructive film by dismantling a widescreen horror movie. He superimposed images from the original to emphasize on genre conventions, which created new obstacles to disturb the heroine via hallucinatory abstract imagery. It’s main target was narrative cinema, but to denounce its storytelling techniques it relied upon its conventions and appeals. Thus, it was a different experience for the director by stirring away from his structural cinema roots to seek narrative tendencies. The original film was called The Entity and stars Barbara Hershey as a terrorized woman being followed by an invisible being. Even if Outer Space presents shots from this motion picture, it was shown in black and white instead of color like the original. It also sounds much more aggressive, because of the crackling and distortions of the track, yet, the original film was violent by itself because of controversial rape scenes. Therefore, even if the movie has a different look than The Entity, the director kept alive the overall emotions, by still making the heroine feeling chased but by images, and the violence still present because of sounds. Rain (1. 92. 9) by Joris Ivens and Mannus Franken. A highlight of Joris Iven’s avant- garde films. It is a modernistic work where the movie was not a reflection of the outside world, rather, it was a world by itself, even if it depended on reality. At first impression it seems like an abstract work, since it is a presentation of water falling on water. Watch Netflix Movies Online.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
December 2016
Categories |